Teaser, highlight film or full film, ready to finish in your editor.
WedCut analyses the wedding once and prepares the first edit (rough cut) in the format you need: a solid base to carry on in the editor you trust, Final Cut Pro, DaVinci Resolve or Premiere, and finish in your own style.
From a one-minute teaser to the film of the whole wedding, with the same analysis.
Classic or shaker, with the BPM detected and the best moments of the day in place.
Final Cut Pro, DaVinci Resolve or Premiere. Or a direct MP4 if you need it now.
You analyse the wedding once and generate the formats you want. Switching format or generating again costs nothing: your balance is only spent on analysis.
Non-linear emotional story: the vows, the rings, the kiss and the tears, cut to the beat of the song. The hook for social media.
A rhythmic summary on the beat to deliver to the couple: getting ready, ceremony, cocktail hour and party, with the best moments of each part.
A complete linear documentary, with ambient sound as the lead, vows and speeches cut by phrase, and the length you choose.
How far does your footage go? Each moment in the edit lasts about 5 seconds: with 250 analysed clips the film reaches about 20 minutes; with 500, about 38.
You choose how to edit before generating, and you can try both styles with the same footage.
It orders the day and lets the moments breathe, the way a professional wedding editor would cut it.
It cuts to the pulse of the music and the energy of the shots. You pick the pace and where the song starts.
Train it with teasers or FCPXML you already delivered and apply your judgement to the new wedding.
Choose the song with your licence: WedCut detects the BPM and lands the cuts on the beat and on the emotional peaks.
The full film has its own machinery: it listens to what is said, leaves the subtitles done and lines up all your cameras.
It transcribes vows, readings and speeches phrase by phrase: the cut lands on the exact phrase and you can search for a moment by what was said.
On export it writes the subtitles next to the project, each phrase in its language and in its place on the timeline, with a translated version if someone speaks another language.
You sync the camera clocks once per wedding, frame-accurate, and export the film with the angles in multicam.
Cinematic, real speed or only on the emotional moments.
The film moves through the acts in chronological order and the music can change in each one.
10 to 22 minutes by default, and more if the footage allows. It generates and exports in one click.
The first edit is your base. You adjust it in the app itself, it saves on its own and you keep the rhythm.
Remove a clip, move it or swap it for another from the same moment without breaking the beat.
If a shot doesn't work for you, ban it and it won't come back when you generate again.
Nail the exact frame of the moment: in one clip, in the whole edit or across the entire wedding, once.
Type “kiss”, “tears” or a line from the vows and take the result to the pool and into the edit.
Watch the edit with your changes without generating again, and export it as an MP4 if you need it now.
Review the clips one by one, rescue discarded ones and ask for replacements: the edit rebuilds with your decisions.
We don't hand you a closed video: the first edit lands on your timeline so you can carry it on and finish it with your colour, your rhythm and your style.
FCPXML with the edit on the timeline and, if you like, your raw clips organised in folders by scene.
The same edit, prepared for Resolve, with the raw clips inside the timeline.
An XML that Premiere opens from File → Import, with the cuts in place.
If you only need the video, export it finished without going through the editor.
From the same edit you get the vertical version for Instagram and TikTok without editing again.
Pick the ones you want —or none and the AI chooses— and you get a vertical with music.
Your finished teaser in 9:16, 4:5 or 1:1, keeping colour and audio and without leaving your computer.
More answers in editing wedding videos with AI and in pricing.
No, and on purpose: it is the base of your edit, an editable project already placed on your Final Cut Pro, DaVinci Resolve or Premiere timeline so you can carry it on and finish it in your style. If you need something right away, you can also export a direct MP4.
No. Your balance is spent when analysing the wedding, once. Generating a teaser, highlight or film, refining, previewing and exporting cost nothing more, and you can regenerate as many times as you like.
The analysis of a wedding of about 500 clips runs on its own in one or two hours of machine time. After that, each edit is generated in a few minutes.
By default 10 to 22 minutes, and you set the length. It depends on the footage: each moment in the edit lasts about 5 seconds, so with 250 analysed clips the ceiling is about 20 minutes and with 500, about 38. If you ask for more than the footage gives, the edit stretches and the result gets worse.
Yes, in the full film. On export, WedCut writes the subtitles as .srt next to the project: each phrase in its language and in its exact place on the timeline, plus a version translated into Spanish if someone speaks another language. Phrases that aren't understood clearly are left without a subtitle rather than with invented text.
You sync your camera clocks once per wedding: the app suggests the clip pairs and lines the cameras up frame-accurately. With that, all the footage is ordered by real recording time and the full film can be exported with the angles in multicam.
Analyse one wedding and generate the teaser, the highlight film and the full film. Available now for Mac and PC.